May 23rd, 2008JANNAT Movie Review



The Mahesh Bhatt and Mukesh Bhatt not at all run out of stories. In their new trip JANNAT, Mahesh and Mukesh Bhatt have yet another new story to tell. This time, it’s all about match fixing and bookies. But wait! It would be mistaken to categorize JANNAT as a cricket-centric film. Cricket is just the wallpaper here. The center is on the love story, like GANGSTER which was, at heart, a love story.

What vicious circle you by complete surprise is the fact that JANNAT has been helmed by a debutante director [Kunal Deshmukh] and penned by, again, a debutante wordsmith [story: Vishesh Bhatt; screenplay Kunal Deshmukh and Vishesh Bhatt]. You’re surprised at the level of maturity, the command over the craft, and the display of self-assurance in their very first outing. Honestly, you don’t take to JANNAT instantly. The initial portions - the love story - are firmly chalta hai stuff. But the best part is, JANNAT takes a step forward every 10 minutes. The film actually takes off when the characters reach Cape Town, South Africa. The piece thereafter is of the same kind to a roller coater ride. Right from the interval point to a hair-raising, pulse-pounding climax, JANNAT is another journey altogether. The end, especially, hits you like a ton of bricks [it wouldn’t be right to reveal what happens to the characters].

You can’t envisage JANNAT without Emraan Hashmi. Right from his debut film FOOTHPATH to JANNAT, the actor has only grown-up with the passage of time. The actor displays the gamut of emotions with aplomb, he changes expressions like a chameleon changes colors. JANNAT is yet another turning point in his career. In a nutshell, JANNAT is one of the finest films to come out of Vishesh Films. Not to be missed!

Arjun [Emraan Hashmi] is a reckless young man with an obsession for making money at card games. A probability meeting with a girl in a mall, Zoya [Sonal Chauhan], gives him the reasons he was looking for to move out of his ordinary life. He steps up from playing small-time card games to becoming a bookie. Stuck in a triangle of sorts between the woman he loves and his addiction to make a quick buck, Arjun steps into the world of match fixing. But his dizzy rise attracts the attention of the police [Samir Kochar

May 9th, 2008Get Signed Up by Recording Companies.

Get Signed Up by Recording Companies.

It’s hard to get started in the music industry. To get signed up by a recording company, you need to have pretty powerful connections. Although talent definitely matters, you have to get heard first before you get discovered by recording companies.

The internet, however, gives you the opportunity to realize your dreams of becoming a recording artist. In particular, you can display your profile and upload your music in MySpace. Then, you can gradually network and, if you’re good, you’ll get fans. After that, you have a much better chance of getting noticed by recording companies.

This is a pretty long and tedious process, though, with no guarantees of success. There is a better way of using MySpace to achieve your dreams, however. This is Increase Song Plays.

Purchase one of the plans at Increase Song Plays to, well, increase your song plays and profile views at MySpace. The plans are very affordable – 1750 song plays in one week only cost $6.95; 1750 profile views in 7 days also cost the same. There are other plans, too, if you want more song plays and profile views – or even a combination of both.

Purchasing song plays and profile views from IncreaseSongPlays.com is the only way you can compete with all the other artists in MySpace. By getting thousands of profile views and song plays on your MySpace account in as little as 7 days, your popularity will rise. Consequently, other MySpace users will be enticed to listen to your songs or look at your profile. These people will then refer your songs or profile to their friends. Sooner or later, your profile and song will reach a recording company. Then you will get your much awaited break.

May 9th, 2008Powerful Strategy for MySpace Fame.

Powerful Strategy for MySpace Fame.

MySpace has become one of the most powerful social networking sites online. It has millions of members, or should I say, hundreds of millions of members; it also reportedly gets around 230,000 registrations a day. Members also come from different parts of the world. MySpace, therefore, is the place to be if you want to become a world-renowned artist.

Unfortunately, the millions of users mean you have lots of competition to deal with as well. Thus, becoming famous through MySpace calls for greatly effective marketing strategies. One of these strategies is subscribing to Increase Song Plays.

Increase Song Plays will do what it says – increase your song plays in MySpace. The Increase Song Plays team can also increase your MySpace profile views. They also offer mixed plans that will increase both your song plays and your MySpace profile views.

Why Subscribe?

The logic is simple. The more song plays your tracks register and the more profile views you have, the more popular you will seem to other MySpace users. And the more popular you appear, the more popular you will actually become.

It is no secret that people like to follow other people’s lead when it comes to content online. If you purchase a plan from Increase Song Plays, your song play hits and profile views will rise. The large number of your song plays will imply that your song is good while the large number of profile views will indicate that you have a huge following. And being the band followers that most people are, the rest of the MySpace community will play your song and view your profile in result.

So if you want to be popular, go to IncreaseSongPlays.com now!

May 2nd, 2008Movie Review of ANAMIKA

movie script are like rubber band. Try stretch the group beyond a tip and it’s sure to provide away. The script of ANAMIKA suffers for this cause!Director Ananth Narayan Mahadevan present every series with greatest care till the interval point. You’re hooked, you’re elated to the world of Mrs. Anamika Sisodiya, the nature who continue to haunt everybody in this movie, even after she’s gone. You keenly look ahead to the twist in the tale.Alas! What eventually unfolds, although filmed with the same genuineness, lacks conviction. It also fails to shock you because midway through the trip, you know what the result would finally be. It doesn’t keep you guess. And that’s bad information for any thriller!

Frankly, a anticipation saga works only if it is backed by a hard climax. In ANAMIKA, the worry gradually builds up till the peak, but the end is so tame, so contrived that you exclaim, ‘Gosh! What was that?’

As a narrator, Ananth almost gets it right — he has handle the multifaceted theme like a pro, even extract persuasive performance from his set of actor, has worked hard on maintain the frame of mind of the film from create to end — but he’s disappointment by the writing in the next hour.ANAMIKA tells the tale of an escort Jia [Minissha Lamba], who gets wedded to Vikram Sisodiya [Dino Morea] after a 2-day courtship. Before marrying Jia, Vikram confesses that his first wife, Anamika, had die under strange situation.

Vikram and Jia fly to Vikram’s family home in Gajner in Rajasthan. The house, a palace to be exact, is being looked after by Vikram’s early days friend Malini [Koena Mitra]. Now begin the story… everybody in Gajner appear to be fanatical with Anamika and Jia starts sensing it. In fact, Jia is continually compare to Anamika. Worse, she even sees Anamika’s strength in the palace.In a turn of proceedings, Anamika’s dead body is bare and the police [Gulshan Grover, Dino's brother-in-law] revive the case. All fingers point towards Vikram. Is he the murderer?

insecurely based on the novel ‘Rebecca’, ANAMIKA is a hard subject to make. But after the initial hiccups, the director succeed in connecting the viewer in the strange world of Anamika. The backdrop of Rajasthan, the isolated fortress and the reference to Anamika at every point only deepens the mystery. So far so high-quality!Almost the entire first half is executed with élan by Ananth, who’s only full-grown as a narrator over the years. But, as mention earlier, the writing [in the second hour] acts as a killjoy. Without wanting to reveal the peak, let’s just say that it’s one of those tame and unsurprising endings that we’ve visit time and again.

Anu Malik’s melody is pleasant, but the songs [the ones filmed in Thailand] and the composition in exacting of these track don’t really gel with the frame of mind of the movie. Pushan Kripalani’s photography is alright. The dramatic locales of Rajasthan, the manufacture plan [Gayatri Marwah] as also the style is praiseworthy. Aadesh Shrivastava’s backdrop score deserve particular mention. It’s outstanding.Dino Morea surprise you with a controlled presentation. Also, he carry the royal look persuasively. Minissha Lamba is a exposure. She’s getting better and better with every let go. Koena Mitra is unequaled. Gulshan Grover is effectual. Achint Kaur is highly capable. Vishwajeet Pradhan and Jatin Grewal are okay.On the entire, ANAMIKA is disappointment by its writing in the second hour. At the box-office, the not-too-interesting face-value joined with the continuing cricket mania will only go next to it.

May 2nd, 2008Review of MR. WHITE MR. BLACK

It’s rough to make a joke. It’s even tougher to make people laugh. With MR. WHITE MR. BLACK you realize that director Deepak Shivdasani’s intentions may be genuine, to make a full-on performer, but the movie fails to transport you to ha-ha-land. It takes off with gusto, but the vehicle runs out of gas suddenly, leaving you trapped halfway.

MR. WHITE MR. BLACK borrows heavily from the tried and tested material. There’s a bit of GOPI KISHAN [Suniel Shetty's twice role won praise then]. Plus, the usual masala that worked at a point of time. However, despite its lackluster content, there’s no denying that a few scene do make you flex your facial strength, even though the jokes are quite childlike. sadly, things take a complete U-turn in the second hour, with this slapstick proving more of a disaster for the hapless watcher.In short, MR. WHITE MR. BLACK is a half-baked fare that try too hard to divert, but fails.

Gopi [Suniel Shetty], a simpleton, arrives in Goa from Hoshiarpur. His assignment - to hand over a part of land to his childhood companion Kishen [Arshad Warsi]. Kishen swindle people with a little help from his accomplice [Atul Kale], to earn enough money to educate his sibling Divya [Mahima Mehta], who’s study in London. Kishen, however, has managed to hide his line of work from Anuradha [Rashmi Nigam] by cooking up an alibi of a twin brother, Hari, who’s the bad guy.

Kishen avoid Gopi like he’s bad information. He’s not going to give up his flourishing commerce and travel to Hoshiarpur just to take possession of a measly piece of land. Meanwhile, diamonds worth Rs. 25 crores have been stolen by three girls, who are now holed up in Goa. Kishen traces the three girls and succeed in rob the diamonds. But the diamonds actually belong to a don, Laadla [Ashish Vidyarti], who has also reach Goa.

That Deepak Shivdasani has an eye for style is visible at the very outset, when the three girls do a heist in broad daytime. The film actually starts off with a beat! A few portions thereafter are evenly attractive, but the writing unexpectedly deviates into surplus territories in the next hour.

get, for instance, Suniel’s nature. He wants Arshad to go back to Hoshiarpur to fulfill a assure, but the reason don’t come across powerfully. Note another point. When the three girls understand that the diamonds have been robbed from their storeroom and they begin a search for Arshad, the story abruptly shifts to various sub-plots: The love attention, followed by the mandatory songs, another 15-20 minutes are devoted to Arshad’s sister’s wedding and much later, the original proprietor of the resorts [Sadashiv Amrapurkar] re-appears on the sight. The three girls eventually show up in the climax. Truly, the second half is disordered!

Deepak Shivdasani shows a style for comedian fares, but is letdown by a hotchpotch script. melody is equally unproductive. ‘Samundar’ and ‘Gopi Kishan’ are standard compositions, but the remaining tracks are lackluster. Thomas Xavier’s photography, surprisingly, lack sheen.

Suniel Shetty repeats his act with no some difference. Ditto for Arshad, who is livewire in some portions only. in the middle of ladies, Anishka Khosla [resembles Preity Zinta from some angles] is an okay performer. But what is the gifted Sandhya Mridul doing in a film like this? Rashmi Nigam looks pretty, that’s it! Sharat Saxena is the only actor who stand out. Ashish Vidyarthi is noisy. Shehzad Khan is funny. Vrajesh Hirjee and Upasana Singh’s path is half-baked. Manoj Joshi deserve a better role. Sadashiv Amrapurkar and Atul Kale are drivable.

On the entire, MR. WHITE MR. BLACK promise only a few moment of amusement, which isn’t sufficient. At the box-office, an loser!


Copyright © Net Techno Solution. All rights reserved. Powered by Wordpress